So, if I worked that hard and created that whole album and if I was going to spend any amount of time on the road I wanted to do it right and just see where it goes. Most of it is made in very traditional way and not inside of a computer. It wasn’t something I would have enjoyed myself, I would have wanted to see how it was made. It came about because I thought to myself ‘why am I playing these shows, why am I up there alone?’ I don’t feel comfortable with it and the way I was representing the music. In this sphere of music the resources are so small that the money isn’t there to have these big productions. Tycho: By default a lot of electronic producers, and myself included for a long time, use a computer because it’s cost effective. We are doing a month this summer which is going to be our longest yet, but then it’s nothing for a while because I have a lot of new material I need to get down.īPM: What made you move from using a computer on stage, by yourself, to putting together a whole band and touring as such? For this one I’m on right now, it’s all new visuals. I need to be in the studio to make things. And the other thing is, this isn’t really my ‘job.’ I mean, it is now, but I still don’t like the idea of being gone for so long. For a while I was just doing one-offs and then just recently put this band together. Tycho: I’m really new to the touring thing.
What’s the reason behind not branching out on a typical nationwide tour?
Now I feel like I can put all that to rest and move forward in maybe a more divergent way.īPM: Most of your tours seem meticulously planned out and fairly short. It wasn’t on purpose but it had to be what it was for this record to happen. Then when I really found the time to make the music I had all this new material since then and all these bits and pieces where I could go ‘oh this is part of this thing’ that even though it was spread out it all needed to be together. So I sort of drifted off into design land and kind of did that for a long time, and I started the blog and then I just got really busy. Part of me felt like I didn’t have the skills, or I didn’t have the knowledge even though I had all these ideas. It was like ‘here’s ten songs’ and I was sort of just messing around at that time and I put up the EP before that. Tycho: You know, Past is Prologue is something strange because it wasn’t really planned out. Was that something you did on purpose and did taking that time off really benefit you? As I was recording I had things in my mind like ‘oh this will look that that’ or whatever, and then afterwords I began to piece those together.īPM: There was a definite break in time between Past is Prologue, the Adrift 12″ and Dive. In this case, the music came first and I was so focused on finishing the album and the then after I started worrying about the design. A while back I stopped doing design work for outside clients and since then things like ISO50 and the blog have sort of become their own thing but important nonetheless. For a while I saw them as these two distinct parts of the bigger puzzle. Tycho (Scott Hansen): At this point, they’ve kind of inadvertently become one and the same. Does one primarily influence the other or do they sort of converge in a natural manner? Better known as Tycho, Scott Hansen talks about preserving recording techniques, his longest tour yet, and what it means to be a self-taught musician.īeats Per Minute (Erik Burg): The two mediums you work with, art and music, seem to be very intertwined. All rights are reserved.The calm, calculated producer of last year’s excellent Dive took some time to sit down with us at this year’s Sasquatch Festival. In Mike Hochoff Band we use the technology of Youtube Data API for our search engine, We DO NOT support music piracy, It is also clear that no mp3 file is hosted on our server, they are hosted on different public internet sites and we have no relationship.ĭiscover and share your music with the world.
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